Throughout the 24-stage adventure, its story brought to life by voice actor Julian Casey channeling every enthusiastic father reading to their child before bed, I am filled with delight as I bounce off every baddie, discover every hidden area, or ride atop one of my massive animal friends. Rather, it embodies the design discipline and fun factor of games like Rayman Origins and Donkey Kong Country: Tropical Freeze. Oddmar is an odd-man-out in this regard as it doesn’t feel like another platformer app. It’s why so many games feature similar interfaces, microtransactions, and generally have a familiar aura about them. Most mobile games feel as though they were created in the smartphone bubble, taking ideas freely from one release to the next but never incorporating the lessons the history of the medium provides them. I like auto-runners, I do, but Oddmar is on a level of its own.

I won’t argue they’re not addictive - I have far too many hours logged in Spider-Man Unlimited to make that claim - but the compulsion to play because of some inane reward loop algorithm can never provide the satisfaction I gain from a game that empowers me to study its hand-crafted structure and tests more than just my hand-eye coordination. Developers choke the concept with loot boxes, play counters, and other nonsense, but the challenge of the gameplay remains the same. Auto-runners are as ubiquitous as match-3 puzzlers in app stores, but the genre hasn’t really evolved outside of adding an extra dimension to the perspective.

Quotoddmar